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EARLY MUSIC COURSE

PISOGNE (LAGO D'ISEO), ITALIA

May 18 - 27, 2012

MASTERCLASS FOR VIOLA DA GAMBA Tutor: José Vázquez (Vienna, Winterthur) COURSE INFORMATION: printable Systematic development of a solid technical basis for the stylistic interpretation of the Renaissance, the Baroque and the Classical Period, drawn from the treatises by Ganassi, Ortiz, Simpson, Rousseau, Danoville, Louilié, annotations by Marin Marais, J. B. Forqueray & others. Works by Diego Ortiz, Christopher Simpson, Tobias Hume, Marin Marais, Johann Sebastian Bach & others Sviluppo sistematico di una base technica per l’interpretazione stilistica del repertorio dal Rinascimento all’Epoca Classica, estrata dei trattati di Ganassi, Ortiz, Simpson, Rousseau, Danoville, Louilié et altri Opere di Diego Ortiz, Christopher Simpson, Tobias Hume, Marin Marais, Forqueray, J. S. Bach, Telemann, C. F. Abel ed altri. CONSORT FOR VIOLAS DA GAMBA CONSORT FOR VIOLS WITH BAROQUE VIOLINS, VOICES, WIND INSTRUMENTS Advance level consort playing: proficient sight-reading in the standard clefs is a prerequisite. A number of the original viols of the Vázquez Collection, now on exhibit at the Castello di Duino, will be available. Participation open to Baroque strings (violin, viola, cello), harpsichord, winds, singers Consort di alto livello: necessaria lettura a prima vista nelle chiavi usuali. Saranno disponibili diverse viole da gamba storiche della Collezione Vázquez, adesso in esibizione nel Castello di Duino. Aperta la partecipazione anche per gli strumenti ad arco barocchi (violino, viola, violoncello), per il clavicembalo, per gli strumenti a fiato e per i cantanti. 1. The finest English masters from 1580 to 1680: William Byrd, John Dowland, Orlando Gibbons, John Ward, Thomas Tomkins, William Lawes, Matthew Locke, John Jenkins, Henry Purcell 2. Spanish and Italian music of the 16th and 17th C. Cristóbal de Morales, Tomás Luís de Victoria, Ambrosio Cotes, Giovanni Gabrieli, Claudio Merulo, Giovanni Trabaci, Alfonso della Viola 3. German and Austrian music of the 16th and 17th C. Johann Hermann Schein, Samuel Scheidt, William Brade, Dietrich Buxtehude, Franz Tunder COURSE FOR THE INTERPRETATION OF HISTORICAL STRING ENSEMBLE MUSIC Works by Heinrich Biber, Georg Muffat, Giovanni Legrenzi, Johann Rosenmüller, Marc-Antoine Charpentier and other masters of the 17th C. for ensembles of violins, and viols. Orchestral works of the 18th C. by Corelli, Vivaldi, Telemann, Bach, Marais Lecture-Seminars on performance practice: JOHANN SEBASTIAN BACH: The Sonatas for Viola da gamba & Harpsichord MARIN MARAIS: On Establishing a Basis for the Interpretation of his Works JOHANN SCHENCK & MARIN MARAIS: Two Giants of the Viola da gamba Videos & recordings: Audiovisual Our other courses: http://www.orpheon.org/OldSite/Seiten/Courses/Early_Music_Courses.htm Exhibition in Castello di Duino: http://web.me.com/vazquezjose/Orpheon/Duino-10.html  Course in Duino, 2010: http://web.me.com/vazquezjose/Orpheon/Duino-10-course.html Course in Duino, 2011: http://web.me.com/vazquezjose/Orpheon/Duino-11-course.html Course in Ibiza, 2011: http://web.me.com/vazquezjose/Orpheon/Ibiza-11.html Further inquiries, enrollment: www.orpheon.org / orpheon (at) gmx.at Tel. +43-650-400 3731